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Ashly Audio XR-1001 Stereo 2-Way, Mono 3-Way CrossoverAshly Audio XR-1001 Stereo 2-Way, Mono 3-Way Crossover

Ashly Audio XR-1001 Stereo 2-Way, Mono 3-Way Crossover

The Ashly XR-1001 is a Stereo 2-Way, Mono 3-Way crossover based upon a powerful state-variable filter circuit which guarantees that two adjacent frequency band outputs always remain in phase. The XR-1001 crossover offers a number of useful and unusual features, including continuous tuning, a response control, and a unique output stage which maintains low noise at any level setting. It also includes a 200:1 tuning range, output mute switch, and both TRS and XLR connectors. Like other Ashly products, your crossover features low noise and distortion, active balanced inputs, a peak level indicator, a precision regulated power supply, protection against abnormal input or output conditions, and rugged mechanical construction. Conservative design and an unusually thorough procedure for quality control have earned Ashly a reputation for dependability in the recording, sound reinforcement, and broadcast fields.Response Control; an Ashly Exclusive... This control, found adjacent to the crossover frequency control, adjusts the damping of the filter affecting the response shape of the filters at the crossover point. The dial calibrations refer to the amount of attenuation effected by the filter at the crossover frequency, i.e., a setting of 3dB means that the filter's high-pass and low-pass outputs are each "rolled off 3dB at the crossover point". This describes Butterworth filter response, or a gentle 3dB peak at the crossover point when the two filter output signals overlap. To obtain a flat signal, or "Linkwitz-Riley" response through the crossover region, set the Response control to "6". This attenuates each output of the filter by 6dB at the crossover point (two identical signals added together yield a +6dB increase). To obtain a notch at the crossover point, turn down the response control past "6" to best suit your needs.The purpose of this control is to help offset the inaccuracies inherent in typical loudspeakers, thereby helping you to achieve a flat system response. NOTE: The Response control is not a "slope" control. A 24dB/octave crossover will always have a slope of 24dB/octave. The Response control only affects filter response shape in the immediate vicinity of the crossover frequency; the ultimate crossover slope is a fixed parameter.

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Brand Name: Ashly AudioBrand Name: Ashly Audio

Category: Live SoundSignal ProcessorsCrossoversCategory: Live SoundSignal ProcessorsCrossovers

Store: Musician's FriendStore: Musician's Friend

Item Description: The Ashly XR-1001 is a Stereo 2-Way, Mono 3-Way crossover based upon a powerful state-variable filter circuit which guarantees that two adjacent frequency band outputs always remain in phase. The XR-1001 crossover offers a number of useful and unusual features, including continuous tuning, a response control, and a unique output stage which maintains low noise at any level setting. It also includes a 200:1 tuning range, output mute switch, and both TRS and XLR connectors. Like other Ashly products, your crossover features low noise and distortion, active balanced inputs, a peak level indicator, a precision regulated power supply, protection against abnormal input or output conditions, and rugged mechanical construction. Conservative design and an unusually thorough procedure for quality control have earned Ashly a reputation for dependability in the recording, sound reinforcement, and broadcast fields.Response Control; an Ashly Exclusive... This control, found adjacent to the crossover frequency control, adjusts the damping of the filter affecting the response shape of the filters at the crossover point. The dial calibrations refer to the amount of attenuation effected by the filter at the crossover frequency, i.e., a setting of 3dB means that the filter's high-pass and low-pass outputs are each "rolled off 3dB at the crossover point". This describes Butterworth filter response, or a gentle 3dB peak at the crossover point when the two filter output signals overlap. To obtain a flat signal, or "Linkwitz-Riley" response through the crossover region, set the Response control to "6". This attenuates each output of the filter by 6dB at the crossover point (two identical signals added together yield a +6dB increase). To obtain a notch at the crossover point, turn down the response control past "6" to best suit your needs.The purpose of this control is to help offset the inaccuracies inherent in typical loudspeakers, thereby helping you to achieve a flat system response. NOTE: The Response control is not a "slope" control. A 24dB/octave crossover will always have a slope of 24dB/octave. The Response control only affects filter response shape in the immediate vicinity of the crossover frequency; the ultimate crossover slope is a fixed parameter. XR-1001Item Description: The Ashly XR-1001 is a Stereo 2-Way, Mono 3-Way crossover based upon a powerful state-variable filter circuit which guarantees that two adjacent frequency band outputs always remain in phase. The XR-1001 crossover offers a number of useful and unusual features, including continuous tuning, a response control, and a unique output stage which maintains low noise at any level setting. It also includes a 200:1 tuning range, output mute switch, and both TRS and XLR connectors. Like other Ashly products, your crossover features low noise and distortion, active balanced inputs, a peak level indicator, a precision regulated power supply, protection against abnormal input or output conditions, and rugged mechanical construction. Conservative design and an unusually thorough procedure for quality control have earned Ashly a reputation for dependability in the recording, sound reinforcement, and broadcast fields.Response Control; an Ashly Exclusive... This control, found adjacent to the crossover frequency control, adjusts the damping of the filter affecting the response shape of the filters at the crossover point. The dial calibrations refer to the amount of attenuation effected by the filter at the crossover frequency, i.e., a setting of 3dB means that the filter's high-pass and low-pass outputs are each "rolled off 3dB at the crossover point". This describes Butterworth filter response, or a gentle 3dB peak at the crossover point when the two filter output signals overlap. To obtain a flat signal, or "Linkwitz-Riley" response through the crossover region, set the Response control to "6". This attenuates each output of the filter by 6dB at the crossover point (two identical signals added together yield a +6dB increase). To obtain a notch at the crossover point, turn down the response control past "6" to best suit your needs.The purpose of this control is to help offset the inaccuracies inherent in typical loudspeakers, thereby helping you to achieve a flat system response. NOTE: The Response control is not a "slope" control. A 24dB/octave crossover will always have a slope of 24dB/octave. The Response control only affects filter response shape in the immediate vicinity of the crossover frequency; the ultimate crossover slope is a fixed parameter. XR-1001

Keywords: 181027 STEREO XR1001 3WAY 2WAY 1001 CROSSOVER 0 XRKeywords: 181027 STEREO XR1001 3WAY 2WAY 1001 CROSSOVER 0 XR

Online ShoppingOnline Shopping: Musician's Friend offers a great way to save money on musical instruments, with their Clearance Center department, bulging with overstocks and discontinued gear at discount prices. They are constantly adding new discount bargains so check back often. Visit Musician's Friend for Ashly Audio XR-1001 Stereo 2-Way, Mono 3-Way Crossover and other Ashly Audio, Live SoundSignal ProcessorsCrossovers and discount musical instruments, music gear and musical equipment.

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